DPH 794: Post 8 InTERNSHIP ReflectIonS

My internship was to create a Smithsonian Learning Lab exhibit that forged a bridge between the Smithsonian National Museum of American History: Medicine and Science Collections Washington, D.C., and those of the Western Reserve Historical Society, Cleveland, Ohio.

Image of the Home page of the Smithsonian Learning Lab

                 Please visit:  “Who Cares”  http://learninglab.si.edu/q/ll-c/3LXidXoP4xkEhBvH

Image of the exhibit created by Kim Lenahan entitled "Who Care" features thumbnails of exhibit artifacts.

“ Because of my internship, I am…”

Proud of the work accomplished: as it broke new ground in highlighting women’s achievements in the area of medicine and science, that it has provided evidence for how women are seldom recognized or their artifacts collected; that it encourages attention to be drawn to women’s lives and stories; that a novel way of promoting this history has been developed on an innovative platform that will encourage use of the collections of NMAH Medicine & Science & the Western Reserve Historical Society.

Comforted by recognizing historic limits of medicine and science, which councils’ patience when I am caring for family members, or in the face my own health challenges. I am more empathetic with the striving of myself and others to achieve recognition. I commiserate with and seek to encourage those who are quiet or who have been overlooked, viewed as ordinary as their heroism may be greater than those whom we applaud.

More courageous having attempted something new, recognized it was more difficult than anticipated and still persevered.  I am less fearful of looking foolish, breaking something, or violating rules.  I am grateful for the space and opportunity to explore, collaborate with experts, rethink the use of standard practices, technological tools, and the limits of location, resources, and connections.

Wiser for having viewed my understanding of women, healthcare, place, and significance from an entirely different perspective.  More thoughtful for having observed and experienced ‘teaching and learning’ in a different environment.

Committed to restoring what has been hidden, to being more intentional in valuing the students, the colleagues, and the people I interact with daily; to collecting their stories and their heritage and thereby the indomitable power of the human spirit.

DPH 794: Progress Blog

What do you care about?  What do You collect?

The purpose of the Smithsonian Institute, embedded in the will of James Smithson (1765-1829) the illegitimate son of an English Duke and a wealthy widow… who never stepped foot in the United States, is “The increase and diffusion of knowledge”.[1]  “With 19 museums and the National Zoo, the Smithsonian is the largest museum, education and research complex in the world”.[2]  The purpose of the Smithsonian National Museum of American History (NMAH) is “the collection, care, and study of objects that reflect the experience of the American people,” which aligns with Smithson’s interest in the American experiment. [3]   The Division of Medicine and Science within the NMAH “acquires, preserves, studies, and interprets the material culture of the biological, medical, and physical sciences.”[4]   My purpose and task is to connect my regionally focused research on ‘Women and Healthcare in Cleveland’ to the national impact of women as demonstrated through an examination of the collections in Smithsonian Division of Medicine and Science and its local affiliate the Western Reserve Historical Society.[5]  This research aligns with the strategic goals of the current Smithsonian Vision and its American Women’s History Initiative–Because of Her Story, “one of the country’s most ambitious undertakings to research, collect, document, display and share the compelling story of women.”[6]

If one attempts to research the story and influence of women, it becomes immediately apparent that “her story” has not been collected or documented in traditional historical catalogues and methodologies.  “She” does not lay claim to the firsts, the foundings, and rarely appears among the famous, unless a fatale.  To uncover the evidence of women at the local level is difficult; the evidence of women at the national level is almost non-existent.  How can it be that half (50.8% in 2010) the population is so poorly recorded?[1]  Where are the women?  I am using the Smithsonian Learning Lab as a tool for exploring and communicating the connections between Cleveland and Washington, D.C.

The Smithsonian Center for Learning and Digital Access created the Smithsonian Learning Lab to inspire the discovery and creative use of its rich digital materials—more than a million images, recordings, and texts. It is easy to find something of interest because search results display pictures rather than lists. Whether you’ve found what you were looking for or just discovered something new, it’s easy to personalize it. Add your own notes and tags, incorporate discussion questions, and save and share. The Learning Lab makes it simple. 

By encouraging users to create and share personalized collections of Smithsonian assets and user-generated resources, the Learning Lab aspires to build a global community of learners who are passionate about adding to and bringing to light new knowledge, ideas, and insight.”[2]

Women are not the only people “missing” from the historical record in general and museums in particular.  There is a relatively large literature dating to Fred Wilson’s ground breaking exhibit, “Mining the Museum” in 1992. Persons of color and uncomfortable ideas, often share the same fate and compound our ignorance of our full and authentic past.  For my project, I must examine what can and has been collected and consider what is missing.  Or, and I think this is more accurate pursuit, find the ‘hidden women’.  Aside from the few who managed a first or married a first or miraculously achieved some rank of notoriety, women are nameless in the collection.  But they appear in photographs as assistants, they are the workers in the companies whose products have been collected, they have taken care of supported both the family and the great scientist while “He” achieved success.  Reminiscent of the television sitcoms of the late 1960’s Bewitched and I Dream of Jeannie, women made the magic happen behind the scenes.  Reflecting on this type of history is not quick and easy.  Documenting it (necessary for a historian), is a nightmare.  However our collections reinterpreted, may hold some important knowledge treasures that have been lost in the ‘American Experiment’ as it exists today.

The work continues.


[1] U.S. Census. “Age and Sex Composition:2010.”  https://www.census.gov/prod/cen2010/briefs/c2010br-03.pdf  accessed 11/23/19.

[2] Smithsonian Institute.  “About the Smithsonian Learning Lab.” https://learninglab.si.edu/about  accessed 11/23/19.  


[1] Smithsonian Institution. “Purpose and Vision.” https://www.si.edu/about/mission accessed 11/23/19.

[2] Smithsonian Institution. “About the Smithsonian.” https://www.si.edu/about accessed 11/23/19.

[3] Smithsonian Institution. “Mission & History: National Museum of American History. ”https://americanhistory.si.edu/museum/mission-history  accessed 11/23/19. 

[4] Smithsonian Institution, “Division of Medicine and Science.” https://americanhistory.si.edu/about/departments/medicine-and-science  accessed 11/23/19.

[5] This Internship is part of the Roy Rosensweig Center for History & New Media: Digital Public Humanities Certificate Program within George Mason University.

[6] Smithsonian Institution. “Purpose and Vision” & “Because of Her Story” https://womenshistory.si.edu/about  accessed 11/23/19.

DPH Blog POST 7

  1.  What insights do you have about working in digital public humanities as a result of this experience? 

The first thing I have recognized about Digital Public Humanities is the ignorance and confusion about it among the public and in academia.

     When I introduce myself or attempt to explain my project, colleagues and acquaintances have difficulty both with the concept of “Humanities” as a multi-disciplinary subject and as an academic field of research.  I remind them of longer standing multi-disciplinary areas: American Studies, Ethnic Studies, Gender Studies, Labor Studies, etc.  Explain that “Studies” allows the individual the opportunity to draw from many disciplinary perspectives: History, Language, Literature, Psychology, Sociology, Religion, in order to form a fuller interpretation and understanding of a topic or society.  Then comes the inevitable follow up question, “What makes it “digital”?  Visual interpretation, academic interaction across media, crowd interaction  and using new tools based to access massive data bases (Big Data, GIS and Public Records) allow us to aggregate and reconstruct our interpretations of human activity and expression.

Another perception is that a ‘discipline’ or ‘area of study’ it is needed, but the “Humanities” aspect, even more importantly the “History” aspect needs to be affirmed as integral to the field.

     Academics seize on the “new tools” and think the field is strictly about learning how to use or create programs.  The idea of the impact of tools on interpretation is not “new” in American History, Charles & Mary Beard had to defend their “new” methods.  Socially, we have adopted computers as aids to searching and collecting, but just as we have discovered ‘scientific medicine’ has biases and unintended consequences; we are just in the infancy of discovering how computing will shape and inform our culture.

     “Professionalization” in the field is running ahead of its articulation of itself.  I attended a digital humanities conference this past summer (which I will not publicly defame).  It claimed design to facilitate the merging of technical skills and disciplines; but sessions skewed technical, discipline based or ‘sponsored’ by organizations with an agenda.  Cross disciplinary dialogue and integration was limited.  I have also noticed that already a “boiler plate” has been adopted by Human Resource Professionals, who have been charged with creating job descriptions for this new unfamiliar field.  In the short term (3 years) I have been studying the field, already an extraordinary number of Digital Humanities job openings are requiring Library Science degrees.  Library Science certainly aligns well, but for many projects, the analysis and interpretation of the humanities based disciplines is critical to meeting the goals of creativity, human insight and the creation of new knowledge.

Like any other Humanities discipline, research requires time and money. 

     Knowledge does not come cheap.  Research is a journey in detection.  Uncovering or following the threads of an idea require time-consuming investigation.  In Digital Humanities, a portion of the cost is in new tools: creating, gaining experience with or licenses.  Presentation requires preparation time and resources.  As we move from text-based to visual culture, the cost of digitizing must be incorporated.  Access to text has become cheaper, faster, but compilation, resolution, transference of images, while less cumbersome is still evolving.  Storage is still an issue.

Finally, ‘It Takes a Village!”

      Historians have always relied on communities; archivists & librarians that lead us to materials, experts that share insight or stories pertaining to streams in our topics and other artists, poets and scholars.  Digital Public Humanities requires a broader inclusion of technical skills, technicians and new emphasis on artistic and commercial skills.

Cleveland Foodbank www.Clevelandmemory.org

2. What new questions or ideas do you have as a result of this experience?

    Can Historians continue to capture and make ‘human experience over time’ relevant?  As the digital age has overtaken us, a culture of “immediacy” has also emerged.  Students and ‘the public’ want information that is immediately relevant, aesthetically designed and easy to digest.  “Pondering the Past” is not in fashion.  ‘Looking back’ to search for answers is devalued in the face of creating new solutions, methods and future goals.  Even the short 400 years of American Experience is being condensed or eliminated in our schools in favor of teaching more “applicable” skills.  I came to Digital Public Humanities in my search to make my discipline; that emphasizes reflection on the past, interpreting the deeper meanings of human experience and tracking historic patterns and forces to foster richer and strategic decision making, more relevant and accessible.  I am still asking, “How can I help people recognize the value of their past?”

Finding a Thread

Systems are the way we track and keep information. However just like people, institutions conceive and use information differently! Learning them and discovering how they connect can take time.

First woman to earn a Ph.D. in Computer Science

There are large gaps in our awareness of the role and actions of women. A ‘gendered assumption’ has existed in Western Civilization since the beginning of it; that women: were inferior, not to be trusted and powerless (Mary Beard explains this phenomena brilliantly). Since women’s thoughts and actions were not considered significant, they were neither acclaimed or recorded. As a result women’s role in history has been overlooked and their contributions undervalued. Re-tracing this “role” is important to really understanding our current society and civilization.

I am on a journey to connect and understand the ideas and actions of women over time. How can we understand how women shaped the system of health care in the United States? They have obviously used it! Less obvious is how they have influenced it.

Dr. Amy Farley Rowland & Dr. Maria Telkes  Discovery of autosynthetic cells.
Picture taken 12-31-1930
Dr. Amy Farley Rowland & Dr. Maria Telkes Discovery of autosynthetic cells with Dr. George Crile Cleveland Clinic Picture taken 12-31-1930

Working in multiple archives has proved somewhat challenging. So I have decided to pursue this digital project in a new way — contextually! Starting from searching the archives directly, for connections linking specific physical evidence between Cleveland’s Western Reserve Historical Society and the Smithsonian Division of Science and Medicine, has not yielded any results. The next iteration of this project is going to begin with specific Cleveland women who were involved in changes in medicine and health care.

	"Dr. Sarah Marcus, president of Women's General Hospital" -- photo verso. Portrait of Dr. Marcus dated 1959.
Dr. Sarah Marcus Courtesy of The Cleveland Press Collection, Michael Schwartz Library, Cleveland State University

Women like: Rowland & Telkes, Dr. Sarah Marcus and Lulu Greves and the hundreds of nurses who cared for Clevelanders.

A group of 20 infants with nurse circa 1910.
St. Ann’s Infant Asylum c 1910 Courtesy of The Cleveland Press Collection, Michael Schwartz Library, Cleveland State University

I have not located Drs Rowland or Agatha Hodginsm Nurse Anesthetist who worked with the Lakeside Unit in WWI (see Andre’ Van Zundert’s page) in the Smithsonian Database. It is possible to learn more about them from artifacts and exhibits such as Women in World War I . They would have worn uniforms similar to these:

Women in WWI: Women’s Uniforms National Museum of American History

It is a start to understanding these women and weaving the story of their past.

Making History!

What skills or knowledge from your coursework are you using in your internship?  Have you noticed a difference between theory and practice? Why or Why not?  This is a challenging question for me, because I have been attempting to merge history and Digital Public Humanities (DPH) and it is difficult for me to now isolate them.  ‘What are the skills of DPH and how does the theory and practice differ from traditional history’ and is what the essence of my internship’ and another effort to merge the two (history and digital humanities).

During the process of arranging for this internship and coinciding with it; I have had some planned, some unanticipated, professional and personal opportunities providing DPH engagement experience.  These ventures have provided their own insights into the theory and practice.  As I have made a concerted effort to immerse myself in all things digital humanities over the past 2 years, the experiences tend to wind together in my brain.

In terms of theory, my natural bent is to the work of Sam Wineburg who discusses the nature of historical thinking and Digital Humanities processes reflecting on the intellectual differences between the two.[1] He applies historical thinking methodology to the data gathered through digital means, in other words, ‘digital humanities’ is just a new historical methodology.  That is what I thought when I decided I wanted to learn what ‘digital humanities’ was all about.  However, every historian is taught the significance of methodology and how the body of research impact interpretation.  The use of the term “corpus” has transformed the meaning of historical research to include digital textual and linguistic analysis rather than the socio-cultural contextual analysis traditionally practiced.  Digital historians seek to incorporate the digital into our research, which changes where we search for sources and eventually influence our interpretation.  

In my internship, I am seeking to create a new corpus from established collections and then interpret and present the findings using digital strategies.  To date, I have found helpful in this process, theory that is ‘methods’ rich, such as the work of Sheila Brennan and T. Mills Kelly.  Although I am not creating a crowd-sourcing project; their framing has been helpful.  I have applied their “lessons” in content collection, technical issues, attracting visitors & building trust with potential contributors and most  important adding 25% (50% if you are a newbie like me) to TIME Estimates.  Their idea that “low barrier entry is critical”I found very applicable when recruiting partners for this internship.  I promoted maximum benefit, minimal work and management to my supervising institutions as the “low barrier entry”.  Institutional collections, even when you think you are familiar with them, have their own idiosyncrasies and the assistance of ‘the insider’ is essential.[2] The literature of digital methods AND historical thinking is helping as I process the form of the Smithsonian Learning Lab collection I am creating.[3]  However, the experts make it appear so easy.  The challenges of research, the interference of daily obstacles and filling in the gaps of technical knowledge sometimes make this adventure feel more tedious then inspiring.  But then I remember: I am creating new knowledge, in a new way……Making History!


[1] Wineburg, Sam. “Why Historical Thinking is Not About History.” History News 71, no. 2 Spring. 2016.

[2] Brennan, Sheila A., and T. Mills Kelly. “Why Collecting History Online is Web 1.5” Roy Rosenzweig Center for History and New Media. 2009.

[3] Examples include: Kelly, T. Mills. “The History Curriculum in 2023.” edwired (blog). January 2013.  Schrum, K. (2012). “A tale of two goldfish bowls . . . Or what’s right with digital storytelling.” In D. Cohen & T. Scheinfeldt (Eds.) Hacking the academy: A book crowdsourced in one week. Ann Arbor, MI, University of Michigan Press. Calder, Lendol.  “Uncoverage: Toward a Signature Pedagogy for the History Survey”. Journal of American History.  P. 1358-1370. March 2006.

Exploring Questions

What about your internship has been an eye-opening (new or unexpected) experience? What were your initial expectations?

The task in which I am engaged seeks to understand the significance and impact of women’s role in medicine and health care broadly.  The current iteration is focused on identifying the connections and differences/similarities between national and regional experience.  The vehicle for accomplishing this analysis is a comparison between the collections of the Smithsonian Division of Medicine and Science and the Western Reserve Historical Society. 

Recognizing there is an entire body of scholarship on collections, who collects, rationale and preservation issues, etc.; this project focuses on what can be determined about women’s action and influence on healthcare through the analysis of two comparable collections: one nationally focused and one regionally focused.  There is an assumption that since the Western Reserve Historical Society is a Smithsonian Affiliate, their general standards, practices and goals are similar enough to enable a rough comparison.  The unexpected challenge that I am facing is searching the collections effectively.  The archives for the institutions are structured quite differently.  So while I am sure both institutions have the archival material I need; identifying and collecting these resources has been more time consuming task than anticipated.

This past week I attended an annual Digital Humanities Conference.  I considered that even the title is an oxymoron…digital down to the smallest element and humanities which is a full expression of the human experience. As at most academic conferences, new works are presented and the field of study is refined and shaped by the experts and participants who discuss the administrative issues of the year.  Since Digital Humanities is a new field, the challenge of framing the language, tools and practices of the discipline is a significant portion of the conference and important work.  Identifying standards of expertise and hierarchies are important for remuneration and academic credentialing.  However these processes and vocabularies create distances and barriers.  What does the public lose?  How are the humanities constrained and limited when a group of experts claim control over a field?

The grand institutions claim expertise and protect their collections.  The academic disciplines control who can claim authority and expertise.  Their commitment is admirable and the services of collection, protection and preservation vital.  Yet, both raise obstacles and barriers of access to the very material they are trying to promote.  The struggle that I have been facing is frustrating.  While I am used to surmounting administrative hurdles, having available resources and yet not having the common language or processes to facilitate their analysis, is a new thing for me. 

Have these expectations changed now that you are half-way through? How? Why?

While the task has become more time consuming, I have not given up.  Rather, I am widening my understanding and learning the how and why of the institutions with whom I am working.  It is our language that expresses our identity and world view.  The languages of organizations, fields of expertise and the processes we use express identity and meaning.  Communication requires learning these meanings and being able to share them.   Researchers are bridges between worlds, crossing into unknown or hidden territory and bringing this new information back to be used in a new way.  These challenges are reminding me of the need to make my work transparent and to pay significant attention to how I am communicating the ideas that arise from it. 

Success & Challenge

Whose Public? Whose History? What Is the Goal of a Public Historian?

     The most significant success to date in this specific internship has been the development of new collaborations.  Initial efforts to assure an internship in historical Digital Humanities that could further develop my interest and expertise have spawned two very different collaborative endeavors: The Headline News Project at Cuyahoga Community College and a collaborative internship model for the George Mason Digital Public Humanities Certificate program and the Smithsonian Institution and its Affiliate members.  Headline News involved faculty, staff, support divisions, student activities and students in exploring a topic over the course of six weeks through a variety of engagement activities and media forms.  The focus of this project will be to uncover and highlight the collections of the Smithsonian Division of Science and Medicine and its associate institution the Western Reserve Historical Society, with targeted materials from other local collections.  These projects are initiatives in reinforce the immortal words,

Alone we can do so little, together we can do so much”.

— Helen Keller[1]

The hope is that by integrating the resources from multiple institutions, we will gain a new understanding of women’s impact in the community and role in the development of American health care practices and institutions.   These specific projects are the result of new directions in conceptualization of historical research and knowledge production.  Roy Rosenzweig initiated this concept with his catalytic essay, “Can History Be Open Sourced” [2]  The trajectory of academia is shifting from the professor in the Ivory Tower to the combined efforts of multiple institutions, divisions and services in institutions and multidisciplinary collaboration.  This is only possible because of technology, but because of technology we can incorporated more resources and perspectives. 

Collaboration, it turns out, is not a gift from the gods but a skill that requires effort and practice.

— Douglas B. Reeves[3]

     The challenge in both projects is maintaining communication and momentum.  Engaging in collaborative projects requires adapting and negotiating goals, resources and priorities.  The challenges of incorporating multiple perspectives, meeting administrative and technical hurdles in order to create common understanding; is explored in museum practice & digital humanities literature.[4]  Each project is a unique experience because ‘human experience’ varies so widely and is shaped by time and context.  We are meeting the challenge by creating relationships that focus on our mutual goals.


[1] https://quoteinvestigator.com/2014/04/21/together/

[2] “Can History be Open Source? Wikipedia and the Future of the Past” The Journal of American History Volume 93, Number 1 (June, 2006): 117-46.

[3] Douglas B. Reeves (2012). “Transforming Professional Development into Student Results”, p.50, ASCD. (Douglas B. Reeves. AZQuotes.com, Wind and Fly LTD, 2019. https://www.azquotes.com/author/38276-Douglas_B_Reeves, accessed July 04, 2019.)

[4] Examples include: Gordon, Tammy S.  “Community Exhibit: History Identity and Dialogue”  Private History in Public Exhibition and the Settings of Everyday life (Lantham: AltMira Press, 2010) p. 33-57. And Grele, Ronald J. “Whose Public? Whose History? What Is the Goal of a Public Historian?”  The Public Historian, Vol. 3, No. 1 (Winter, 1981), pp. 40-48.

George Mason DPH Internship Blog 1: Mission

The Smithsonian Division of Medicine and Science acquires, preserves, studies, and interprets the material culture of the biological, medical, and physical sciences. Connected to this particular project, the Staff of the division collects, researches, and disseminates information in the areas of the history of medicine and health, dentistry, pharmacy, psychology, disability and public health among other scientific areas.

The Mission of the Western Reserve Historical Society is to inspire people to discover the American experience by exploring the tangible history of Northeast Ohio.  The core values of the Western Reserve Historical Society rest upon four common words: integrity, stewardship, connectivity and innovation, with particular meaning for an institution dedicated to preserving and sharing the history of the people and communities of Northeast Ohio.

My role is the explorer: uncovering the hidden history and discovering the connections among local and national women who played a role in innovation, practice, delivery and policy-making in health care in Cleveland and Northeast OH.  The goal is to collect and catalog resources and present the history that lies within the archives of the Division of Science and Medicine and the archives of the Western Reserve Historical Society.

My role is interpreter:  identifying and highlighting intersections between the collections of the Smithsonian and its associate institution, the Western Reserve Historical Society.  Utilizing digital tools, I hope to visualize and exhibit how local women in the past influenced and were influenced by nationally prominent leaders, innovations and ideas. 

This internship supports the missions of the institutions which are aligned in the purpose acquiring, preserving, interpreting and sharing their material cultures to audiences.  This project will demonstrate how women’s experience and contributions in health care have local and national influence, utilizing the materials and archives of the institutions.   The development of products including: summary history, topic catalogue and digital project piece, will utilize and promote the collections of the institutions.  This history will inspire others to further ‘seek connections in the collections’ and gain a better understanding of hidden history.

I am excited to collect and identify this hidden history; create an accessible resource that can be shared by the institutions; and most excited to use digital tools and visualization to transform and share our understanding of women’s role in health care history.  There is a danger that perhaps there is no connection, but that is interesting also!  The mission is to explore, record, discover and share!  Seems totally AWESOME to me!

Transitioning History

Some of the things I am about to say may seem obvious.  However, I feel justified as this is a “progress blog” and therefore stating some obvious things seems appropriate.  Research is the foundation for creating new knowledge.  The investigator must collect what is known and lay that out as the foundation for building the new awareness and understanding.  Historians begin in the past and for us this is exciting, as recounted in my previous blog.  This journey is a bit different as I am particularly conscious about laying the groundwork for a Digital Humanities project.  I regularly ask the question; how does this foundation need to be different? 

Historians have, as part of the craft, documented carefully and added to the preservation of historical records.  The citation processes that terrorize every first year college student are an artifact from the methods of historians and archivists to mark their trail of research.  Change is evidenced in language. Whereas I have ‘kept track of and documented my sources’, now I am creating metadata, which includes categories and references not conceived when the trail was formatted on paper instead of in bits, bites and digital files.  “Tagging” has a whole new meaning then in my teenage years ‘tagging’ artifacts at the local historical society.  My research plan has expanded systematically and strategically to include consideration of how my “data” should be preserved to provide usefulness and accessibility for projects that may build from mine.

So, after the initial deep dive into reviewing what is already written about Cleveland’s women, what is the current status of the foundation?  I received a startling reminder of why this project was initiated in the first place; where are the women in healthcare?  I had direct confrontation with the question posed by Diana Wendt of the Smithsonian Division of Medicine and Science; what if there is nothing there?  The “recorded history” of women and healthcare in Cleveland is practically non-existent.  There are scant ‘pictures on the walls’ of women in healthcare institutions and in the histories and accounts there are few names listed.  My original heartfelt response to Ms. Wendt was, “even the absence of information is interesting.”  Fortunately, she agreed. Now in the face of this glaring absence, the job becomes: to define the size and nature of the absence, make the history interesting….and digital.

The historian’s task is finding and interpreting, ‘combing the archives, seeking out new resources; being a “detective”.[1] Lendol Calder has reframed this process as “Uncoverage” and advocated inserting “the work” of historians into history instruction.[2]  While women’s history has had to argue that examination of half the population is truly worthwhile.  Sam Wineburg analyzes the significance of uncovering this different view in his analysis of Laurel Thatcher Ulrich’s A Midwife’s Tale claiming,

“It is in the very dailiness, the exhaustive, repetitious dailiness, that the real power of Martha Ballard’s book lies… acts of statecraft (but now) encompasses everyday acts of childbirth, the daily routines of ordinary people trying to make ends meet.” [3] 

To fully understand the human experience; the whole of human experience must be understood.  As a historian, I need to ask the questions that will reveal the gap of knowledge in the record and when “telling the story”, convey the significance of the missing information.

     The questions begin. “Why is there nothing there?”  Just asking the question draws attention away from the existent cultural script of the “history of healthcare.”  In an of itself the ‘social history of medicine’ is a change, from the “history of medicine” which only focused on doctors, wrought by the work of Charles E. Rosenberg, Rosemary Stevens and others.  As we investigate, we will find answers.  In Martha Ballard’s Diary which recorded, “the long autumns spent winding quills, pickling meat, and sorting cabbages”, we can see the time-consuming tasks of women’s lives.  Midwifery was Ballard’s source of income, but would it have been conceived of as “healthcare”?  The tasks of women’s lives varied greatly from men’s.  One story observed by Wineman, is the evolution of the medical profession in which women’s roles and intellect were subordinated in which he recounted that 20 years after the first medical course, “a Harvard professor (who) stated, ‘We cannot instruct women as we do men in the science of medicine’.”[4]

    This investigation will not only create a digital footprint in this area, it will utilize and build from other digital projects.  For example, The Recipes Project https://recipes.hypotheses.org/category/digital-history in accumulating and transcribing recipes from 17th century has discovered a wealth of home remedies and practices previously not viewed as “innovations in healthcare”.  Social and professional customs and initiatives must also be interpreted in a different light.  Elizabeth Hampton Robb came to Cleveland as the new wife of a newly hired Western Reserve University professor/obstetrician.  At Johns Hopkins, Robb was Superintendent of the Nurses Training School.  Even in her new non-recognized and non-professional status, Robb wrote textbooks for nursing, sat on the Board at Lakeside Hospital  and created change in standards and healthcare practice.   More questions are raised, what impact has women’s acceptance of the social role of ‘Adam’s Rib’, had on making and sustaining their invisibility in history? 

New questions, new formats, new knowledge; the building continues….


[1] Winks, Robin.  Historian as Detective.  Harper & Row, Publishers; 1st edition, 1969.

[2] Calder, Lendol.  “Uncoverage: Toward a Signature Pedagogy for the Historical Survey”.  The Journal of American History. V. 92, no. 4. (Mar. 2006),  Pp. 1358-1370.

[3] Ulrich, Laurel Thatcher. A Midwife’s Tale: The Life of Martha Ballard, based on her Diary, 1785-1812. Univ of Virginia, Knopf, 1990.  In Wineburg, Sam, “Historical Thinking and Other Unnatural Acts.” The Phi Delta Kappan, V. 80, No. 7. (Mar. 1999), p. 488-99.

[4] Ibid.

Reentry

You’ve been gone too long, Alice. There are matters which might benefit from your attention. Friends cannot be neglected. Hurry. And do mind your step.”

 Blue Caterpillar in Alice Through the Looking Glass[1]

Entering back into research when one has been gone for a while, is like returning to a special world.  It is a familiar place and yet it looks quite different.  Explored in stories and movies: Alice,  Hook, where Peter Pan played by Robin Williams returns to Neverland as an adult, and Christopher Robin, in which Winnie the Pooh draws Ewan McGregor’s ‘Christopher’ back into the Hundred Acre Wood; it takes a while for the protagonist to regain their sense of comfort in their alternative world, so different from their current daily life.[2]  When you return, you are not quite sure that you will find the same threads.  I am excited to be back, anticipating learning new things and finding new insights into old stories.   

The core historical research and process in the ‘Digital Age’ has not changed that dramatically:  Investigation of the topic (tracking down resources and details), Analysis (pulling the pieces of a story together), Reflection (drawing the meaning of the findings), Writing the new story; Editing (requesting and adding the perspectives of others), and Revising (to make the story wonderful)!  It is a labor of love to painstakingly create meaning from the past and be able to share it with others.  Stepping away has value.  As I thought about ‘coming back’ and drew the comparisons listed above, I had a realization; all those references are from British literature.  I was reminded that my awareness is shaped by the culture that shapes my own past. 

As I re-enter the world of ‘Women in Health Care in Cleveland,’ I must be alert to those unfamiliar stories, I might have missed. Cleveland is an ethnic community that is constantly changing.  Original Native populations were decimated by the diseases white explorers (1670-1723).  While mention of the Cuyahoga River dots the journals of traders and conflicts, it was relatively unclaimed until the Revolutionary War period, when the Northwest Territory was established by the Confederation Congress.  The early settlers were predominantly from New England since Northeast Ohio was surveyed as “The Connecticut Western Reserve”.  This territory was awarded to the State of Connecticut, as reparations by the new republic for losses suffered during the Revolutionary War.   The city was laid out in 1796, by Moses Cleaveland but by 1809 claimed an African American citizen.  The Irish would form the first major immigration wave as dockworkers for the port, ship captains, ship builders and laborers on the Erie and many other Ohio canals (late 1820’s & 30’s).  Large groups of German settlers moved into the region in the 1940s and increasing numbers of African Americans began a northern migration from the South as early as the 1840’s and continuing in ebbs and flows until the early1960’s.  Similar to other American port cities, Cleveland’s industrialization of the late 19th Century and early 20th, increased immigration from Eastern and Southern Europe.  By the 1920’s a Mexican Latino community was established that would be augmented by the recruitment of Puerto Ricans to the nearby Lorain Steel Mills during the Second World War.  When immigration quotas changed during the 1960’s, Cleveland became home to a more globally diverse populations first from Asia, and expanding to include Middle Easterners, Central and South American groups and eventually additional waves from Africa, Russia and all the world.

Digital methods can help historians uncover the stories that were not written down in the same ways as the northwestern European cultures and encompass larger groups.  I hope to utilize new resources, tools and methods to discover more diverse stories of ‘medical women’ as I work with new partners.  I am happy to announce that my upcoming endeavor will be shaped by a cooperating arrangement between the Division of Medicine and Science, National Museum of American History, Smithsonian Institution, the Western Reserve Historical Society (the local Smithsonian Affiliate) and George Mason University’s Digital Public Humanities Graduate Certificate Program.  The dynamic, of sharing information, artifacts, and insights, promises to uncover unrealized connections and create new awareness and understanding of our communal past.   


[1] Carroll, Lewis. Through the Looking Glass, and What Alice Found There. United Kingdom: Macmillan, 1871.

[2] Hook. Stephen Spielberg.Tri-Star Pictures, 1991.  Christopher Robin.  Marc Forester, dir.  Ewan McGregor. Disney, 2018.

History, Women & Health Care in Cleveland and Digital Public Humanities

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